Author Archives: fr

Last Day of Tracking w/ Mikey Mason

Today is the last day scheduled for tracking with Mikey Mason. From here on out we’ll be working on mixing and then move on to mastering. We celebrated the end of tracking with some delicious brews that Mikey had brought to the studio. Don’t let the can fool you, this little guy packed one hell of a punch. Deliciously potent in all of its alcohol glory.

Studio & Sushi

Studio Sushi

Studio Sushi for Lunch

It’s always nice to throw in a little change and variety into the studio diet. That’s where sushi comes in. Now, this sushi is by no means the best, but it’s still fairly decent. It provides a much-needed refrain between the burgers, pizzas, and bread sticks that typically dominate studio lunch and dinner breaks.

Mikey Mason: Update #1

Today concludes my first week working with national comedian, Mikey Mason. He’s a swell guy that sure knows a number of things about good beer. We kicked off our first session with a tasty brew by 21st Amendment Brewery called Monk’s Blood. As I expected, it was delicious. It was a step up from the usual beers that inhabit the studio refrigerator; which is currently stocked with Fat Tire and Somer Set. The upgrade was much appreciated.

I enjoy working with Mikey. He’s a swell guy. Down to Earth and easy to have a conversation with. This makes it easy to maintain the creative environment and stay focused whilst still working in much-needed breaks to refresh the mind and ears. Alright, enough banter… Here’s what we’ve accomplished so far.

STUDIO PROGRESS
We’ve broken ground on three songs and are making significant progress. As of this point in time we have completed all of the necessary tracking for “She Don’t Like Firefly” and “Alan Moore’s Beard.” In addition to those tracks we’ve completed the foundation tracks for the song titled “Kobolds Ate My Baby.”

Even at these early stages in recording and with only a touch of mixing these tracks are sounding awesome. Oh, and did I mention that they are funny? I mean, these are original compositions that embrace all things geek in an intelligent and comical manner.

At our current pace we are set to finish recording 1 song per day. Things are going to slow down slightly once my internship in Chicago starts but I still plan to finish this project as promptly as possible. I’ll keep you posted.

Peezski,
Frank

Shredmageddon 2011

Shredmageddon

Shredmageddon 2011

Reber Recording has teamed up with Doc’s Music Hall to organize the first Shredmageddon Guitar Solo Contest in Muncie, Indiana! Our goal is to find the best guitar players in Muncie and bring them to the stage to share their talents with the music-loving public.

RULES

  1. All contestants must register @ Doc’s Music Hall and pay the $10 registration fee before April 13th in order to compete.
  2. Contestants must perform ORIGINAL COMPOSITIONS ONLY.
  3. Each contestant will be given a 5-minute time-frame in which to execute their solo. It’s up to the contestant as to how much of the five minutes they wish to utilize. Solos may be shorter than 5-minutes but no longer than 5-minutes.
  4. FX Pedals of all makes and models are allowed in this contest.
  5. Loop Machines are allowed under the condition that no pre-recorded loops will be used. All loops must be created within the 5-minute performance.
  6. No refunds will be issued for any reason other than the event being canceled by either the venue or the event organizer.

———————————————————————

JUDGING CRITERIA

The contestants will be critiqued by a panel of five people. Four of the judges will be experienced guitarists with the fifth representing the non-guitar-playing populace. All contestants will be judged based upon the following criteria.

  1. Originality (20%)
  2. Creativity (20%)
  3. Technical Proficiency / Technique (30%)
  4. Stage Presence (10%)
  5. Versatility (20%)

Judges will be announced one week before the event.

———————————————————————
PRIZES

  1. 1st Place: $100 + Plaque + 3 10-hour days of recording time at Reber Recording.
  2. 2nd Place: Plaque + 1 10-hour day of recording time at Reber Recording.
  3. 3rd Place: Plaque

———————————————————————-

Stomping Ground Session

Stomping Ground Session

Makeshift Remote Recording Setup

Over the weekend I recorded a band (comprised of good friends of mine) by the name of “Stomping Ground” in a vacant apartment in downtown Muncie. Beer, space heaters, microphones, and tube amps. This was the first time that these guys have played together in five years. I took it upon myself to record the reunion and capture the excitement of playing again. Since the intended audience for these recordings was going to be the band members I decided to be liberal with recording times and made sure to capture as much conversation between takes as possible. I got over 3 hours worth of audio. Everyone had a great time. It will be exciting to go back through all of the audio.