Tag Archives: Indiana

How I Got Started

When I was in the 4th grade I participated in one of those cheesy door-to-door fundraising campaigns for my elementary school. You know, the little kids that knock on your door with little catalogs comprised of assorted candies, cheeses, and random tins full of baked goods… Yep, that was me! Anyway, I was a pretty savvy salesman for only being in the 4th grade. I sold more than anyone in my entire school. However, my motivation had very little to do with raising funds for the school. You see, we were all bribed with the promise of rewards. The concept was simple being that we were children… The more items you sell, the more awesome your reward will be. At this point in time CD players were relatively new and the top prize was a compact stereo system that was CD equipped! I did the work and made it happen.

The first CD I ever purchased was Dookie by Green Day… The next was Tragic Kingdom by No Doubt. I remember spending hours upon hours in my bedroom listening to that CD player. This was the first time in my life that I began my intimate relationship with music in a voyeuristic sense. It wasn’t until the 6th grade that I actually started to experiment with making my own music. I had found a guitar stashed amongst a bunch of junk in the basement that I would eventually convert into a project recording studio. It was an old Guild hollow body w/ and extremely rare Guild Thunderbird Tube Combo. I used to sneak down to the basement and plug the guitar into an old fuzz pedal that I had found and just make a bunch of noises. I didn’t know how to the play the guitar in any proper sense but it didn’t matter to me. I just enjoyed making noises.

I never actually spent enough time to learn how to play the guitar past rudimentary power chords. The instrument was just too busy for me. So in the 8th grade I decided that I was going to play bass. I figured that since there were only 4 strings it would be easier. It turned out that I was wrong about the fewer strings being easier part but that didn’t stop me from falling in love with the instrument. I took a few lessons here and there but for the most part I consider myself to be self-taught. This same year I bought my first used effects pedal from a local music shop. It was a Boss Overdrive. I didn’t know much about it other than it was only $30 which was awesome for my next-to-nothing budget.

By the time I had gotten to high school I had started forming a few small bands that never played any shows (which basically means they weren’t bands at all). It was literally just a bunch of friends that met up on the weekends and played through ideas for whoever wanted to listen. I played with a number of different musicians throughout high school but it wasn’t until my Junior year that I met Josh and Bryan. Josh, Bryan, and I started a band called “Fight The Nucleus” and continued the weekend ritual of playing music and jamming out. Josh and I were pretty big on collecting and using effects pedals. The FTN crew played for nearly 4 years before switching our names to “Charlie Don’t Surf” in 2004. During these years of playing I also formed a good relationship with Josh’s older brother, Kevin, whom had amassed a ton of cool recording equipment. He had multiple 4-track cassette recorders and I thought they were the coolest thing on the planet. We would go out to his remote country house and record improvised jam sessions spanning multiple hours. Afterwards we would all sit down and listen to them. There was this sense of magic in being able to hear recordings of yourself. Being able to recall experiences through music is uncanny. Years of recording improv sessions led to a large archive of cassette tapes… Kevin had hundreds of tapes of sessions… We could go back and listen to what we were doing on Christmas of 2002 or Halloween of 2001 if we wanted. It was awesome. More often than not we would listen to the archives rather than put on records.

During those years I had started to pick up a basic understanding as to how a multitrack recorder worked and how to properly use one. Eventually Kevin upgraded to a digital recorder and ended up gifting Josh one of his older 4-tracks; a tascam 424mkII. It became the primary recording device for CDS. We began recording all of our practices and it really helped us to evolve our musical ideas.

We played our first show at Center Stage in Muncie, Indiana in the winter of 2004. We played shows for a year and a half before we were presented with the opportunity to work with aspiring recording engineer, Andrew Mallott, to record an album. In 2005 we recorded our first full length record titled “Kvalitetsstoey” at Ball State University. Despite the lack of vocals in our compositions the record ended up being a success. We were playing with a number of great bands and really making a name for ourselves. At the same time, I was acquiring a lot of equipment… Amps, PA, Mixers, Speakers, Pedals, Recorders, and etc… At some point I just looked at all of my stuff and thought that it would make sense to offer recording services to other bands. I mean, I already had all of the equipment for the most part. It’s also important to note that during this time I had also met the girl of my dreams. Her name is Lauren Bultman and she’s a photographer.

Charlie Don’t Surf’s last show was played at Luna in Indianapolis, IN in 2006. The entire performance was recorded by Musical Family Tree and can be found by searching through their archives. Once the band had dissolved I decided to go back to college and get a degree. I struggled on settling with a few majors before eventually sticking with Audio Production at Ball State University. I spent the next 2.5 years working in an office at a tool and die shop that has been in my family since 1942.

In 2009 I decided to open my basement recording studio in Muncie, Indiana to the public under the name “Reber Recording.” I took my time in designing this studio to ensure that I would be able to handle any audio application that would come my way. I primarily work with musicians and bands but I am also equipped to handle video projects, voice overs, and radio advertisements as well.

New Mobile Studio

Mobile Recording Rig

Mobile Recording Rig

I know, I know… Another studio upgrade right? Well, it’s all part of the growing and expanding process. This new mobile recording setup will serve two very important purposes. The first of which is giving my studio a solid Pro Tools M-Powered 8 compatible interface. This enables me to work with clients that have already started recording in other studios using other platforms (such as Logic, Nuendo, and Pro Tools).

As an example, next week I will begin working on a full length solo album for Joel Green (former bassist for Emery) and he had previously started recording at The Gallows recording studio using Pro Tools. This new rig integrates to my existing studio setup and allows me to finish working on his project in the native environment that it was recorded in.

The second purpose of this mobile recording rig is to allow me to record at remote locations; whether it’s a live performance at a venue or recording an album in a house). I understand that there are situations where it’s cheaper to bring the recording studio to the band rather than the band to the studio. After all, if a band is traveling from out of town with 4 members they have to pay for four members to exist (eating, drinking, and sleeping) for the duration of the recording process. When I go to the band I am only paying for myself which is significantly cheaper. Also, this broadens my client base to anyone in the United States interested in my services.

Saababanks @ VGR

SAABABANKS @ VGR 07.02.2010

SAABABANKS @ VGR 07.02.2010

I was privileged enough to have the opportunity to record a live performance by a band named Saababanks at Village Green Records on 07/02/2010. Their myspace page brands them as a “INDIE/METAL/ROCK 3-PIECE FROM CENTRAL INDIANA.”

As always, I recorded and mixed the show so that I could upload it for everyone to hear. It was a great show that I am glad that I am able to make it available to a larger audience. Click on the link to download below.

DOWNLOAD THIS PERFORMANCE

Ball State Studio Pics

As promised, here are the new and improved photos of the studio B sessions at Ball State. My girlfriend, Lauren, was kind enough to lend her photography skills to us for the evening and snap a few high-quality pictures of our tracking session.

Studio B Phone Pics

I took a few snapshots of the studio with my camera phone. Some came out a bit blurry because my phone takes terrible pictures in low light situations. Alas, some of them turned out to be decent. My girlfriend, Lauren, took some killer photos with her professional camera with lenses that look like laser canons. When she gets around to editing them I’ll post them on the site for your viewing pleasure!

Back in Studio B

Pre Production Plan Board

Pre Production Board

I’m back in the beautiful “Studio B” of the Letterman Building at Ball State University as part of a five-person team participating in a recording immersion program. We are being given two weeks of unlimited studio access in order to record a full-length album for Apsara. This will be my third recording session with Apsara. Over the next two weeks my team and I will be recording 12 songs. So for the next 14 days my schedule is going to be looking pretty hectic.

My professional photographer girlfriend, Lauren, said that she’s going to stop by the studio tomorrow to take some pictures for my website and portfolio. So be sure to check back tomorrow for some updates!